Skip to main content

Artist Research - Russell Mills, Nel ten Wolde and Ian Murphy

Russell Mills -

5c68a-live_at_last_1500Russell Mills is a British artist who was born in Ripon, Yorkshire, UK in 1952. Mills has designed many book covers and album covers for bands such as Nine inch Nails.
Most of Mills' works are predominantly distorted portraits, with very jagged and defined lines surrounding the soft the (usually) black and white, toned faces. In the surrounding (jagged and distorted) area of the faces, Mills includes colour to add some life to his paintings and create the ever present distortions and abstract elements in his work. 
The piece on the left 'Live at Last' is of a female face, beautifully drawn in ink but her hair and clothes are painted very erratically and show how Mills uses colour to produce a very different composition than if he had used ink for all of the piece. The oil paint Mill uses is red which is painted over the thick black hair





Nel ten Wolde-
Image result for nel ten woldeWolde is a Melbourne based artist who uses collages, lines, subtle hues created by delicate watercolour, colour pencils and ink. Her collages are of real landscapes, cut out and the gaps filled in with the aforementioned mediums. The compositions create a confused but stunning showing of the beauties of the world. The composition on the left is a collage. The focal point being a photograph which is enveloped in small areas of line work to create the surrounding brickwork and other architecture.


Image result for ian murphy

Ian Murphy -

Ian Murphy was born in Wigan in 1963 and graduated in 1985 with 1st class honours from Sheffield University in a degree of Fine Art, Printmaking and Painting. The majority of Murphy's art is painting and drawing. In his paints and only his paints, Murphy uses hints of colour to suggest light hitting the object he is observing (which is usually architecture). 
He uses bold lines to outline parts of buildings and muddied paints to insinuate tone and light. 











This is my artist interpretation of Nel ten Wolde. I took a photo of something random in my house, ripped it up and stuck it down as the center piece. I used different materials and textures to create the rest of the piece around the picture for example I created a collage of newspaper and burnt the edges to add texture and tone. The whole piece is supposed to be ragged and torn to create an urban effect.

Comments

Post a Comment

Popular posts from this blog

Unit 6 Evaluation piece

Above: Final Major Project..... "I" https://photos.app.goo.gl/VQAFTLRghFAf1ARD6 - Progress shots of "I" With the deadline soon coming to pass, and with my final piece nearly complete, I feel it's the right time to compose an evaluation of the 10 month project.  As I mention in my proposal for unit 6, I would have much preferred -in hindsight- to start my final major when everyone else did because with all the knowledge I have now, it’d take half the time to complete and could be even better. There have been lots of struggles and mishaps along the way but now I’m at the end of the road, it was all worth it. The biggest challenge has been the overwhelming patience I’ve had to develop in order to not abandon or ruin the piece. There were many times I wanted to give up and start something new, many times I wanted to tear it off the wall and burn it. However, what kept me going was visualising the final result, the complete outcome. It excited me so much, knowing th...
Post a Comment
Read more

Stefan Koidl and horror art

Pinterest board that influenced my work  This is going to be a very short post about the work I was doing during quarantine. It's all in response to Koidl and it's not work that I feel is meant to be explained, only interpreted. Hope you enjoy both the work and the influences.    The work below is in direct response to the Pinterest board linked above, mainly made up of Koidl's work, with a few other influences, such as Tim Burton.
Post a Comment
Read more

Unit 5 Timescale for Unit 6

Eyes ~30 hours per eye ~60 hours total, however the scale of the eyes and intricate detailing could add up to ~10 hours Nose ~10 hours. Generally an easy stage of development however the detailed texture may add ~10 hours onto the process Mouth ~10 hours. Detailing again may add up to ~5 hours Hair Depth of the hair will require anywhere from ~30 - ~50 hours of work, the lack of hyper dark tones produced from graphite means more time will have to be spent working into it Skin ~20 hours. As this is new territory for me, I expect a lot of trial and error to take place regarding texture and tones of the skin. could take up to ~40 hours Proposed Time Min time: ~130 hours Max time: ~185 hours A guesstimate would require the common sense to round up to 150 - 200 hours This round up time of ~15 hours could be used to include planning, laying out and setting up of mediums Mon 16th March - 23rd June = Final Major time Given I average ~5 hours a day, max time would be 40 days Time for Final ...
Post a Comment
Read more